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Getting Started
Bob Brown

How many times have you said, “Some day I’m going to write a book.” Maybe you already know the story you would like to write, or maybe you’d like to write your memoirs, family history, or a non fiction book on the life and times of a crawdad. You feel sure you could write a book that would sell, or at least it would be something someone would find interesting. For many beginning writers, getting started proves to be such a daunting task the project never gets past the very first sentence. This is unfortunate because getting started isn’t that hard.

Here is my way. Later you may figure out a way that suits you better, but what we’re looking for here is any old way to get started. Take one idea, or event, you expect to be somewhere in your book and write a few words that describe that idea or event. It doesn’t matter whether you expect it will appear early in your book, in the middle, or at the end.

Eureka, you broke the ice; you’ve started your book. After a celebration cup of coffee, write another sentence elaborating on that event, or pick a different event to write about. Never mind that your words are poorly written, are burdened with spelling and grammar errors, and it even may not make good sense. Continue to write about this event and others in the same fashion. You have now identified several items that will be in your book. Each item is sloppy and vague, but you know what they are, and anyway, no one else will ever see them. Although these discrete items are not in any order yet, they are in effect an outline of your book.

After you have the skeletons of several ideas, pick one item to write more about. Again, don’t worry about perfection, spelling, and grammar, but include all aspects of each item you think you will need. Length is unimportant. The item may be a paragraph, several pages, or a chapter. Do this for several more of the skeleton items you wrote earlier. Continue to write these hastily written items until you have included all the items you expect to have in the finished book.

The chances are after having accumulating several items you will be anxious to get started on some serious writing—writing that you wouldn’t be ashamed for your mother to read or even Melinda, that picky friend next door. Fine, pick the skeleton of one item and rewrite it with concise well written sentences. Still don’t worry about spelling, but grammar is a bit more important. Don’t strive for perfection. You may feel uneasy that you could still do better, but don’t bog down yet trying to outdo Faulkner . The reason will be clear later.

Repeat this process until you have all the items for your whole book. Some are well developed and some are still skeletons. Now you have a stew pot full of items and it is time to place them in logical order. Word processors make it easy to shift paragraphs or even pages to different locations. Try Word’s Bookmarks for viewing your list of items, or for going directly to any item. Bookmarks can also serve as your outline and will help you decide where chapter breaks should be.

At this point, begin rewriting. Start with the first item in your book and write or rewrite it in good form, but still not striving for perfection. The first item often necessitates rewriting the second item. Sometimes the second item will reveal something that requires rewriting the first item. These relationships can induce ripples back and forth throughout the whole book. That is the reason I said earlier that it is best to save your Faulkner rewrite until your final rewrite.

When the whole book is in good form, begin your final Faulkner rewrite. Check clarity, spelling, grammar, and formatting. Tighten sentences by removing unnecessary words and change words that are repeated too close together. Consider metaphors to tickle the reader. Rewriting need not be monotonous; it is an art and most good writers rewrite, rewrite, and rewrite, until at some exciting point, they clasp their hands, smile, and say, “Damn, if that ain’t good.”

Many writers live by Journals and formal Outlines, but many others find a different way. Journals may be more helpful for non fiction writers than for fiction writers. My journal is a huge computer file containing ideas for short stories. It is full of remembrances, news clippings, police reports, etc.. I’ve found formal outlines are extra documents I feel obligated to keep up to date, but not very helpful with my writing. Making an outline on the run as described above as part of the written document works well for me. I suspect it is also the easiest way for a beginning writer to get started. No one way will suit everyone. After some experience you may decide other approaches suit you better.

One final suggestion. Join a good writing group. A good group will have professional members as well as amateur members. Consider their suggestions with an open mind for their primary goal is helping each other to be the best writer possible.

Now, I’m through lecturing. Turn on your computer, bring up a blank screen and write at least one word—Hallelujah, you are on your way—you are a writer.

Suggested guidelines:
             ·       Read books like the one you plan to write.
             ·       Set aside a time to write and stick to it.
             ·       Use standard fonts and font sizes. Times New Roman (Font 12) is                    good.
             ·       Only one space after sentences.
             ·       Double space if sending to an agent or publisher.
             ·       Short sentences are usually better than long sentences. My limit: 25                    words.
             ·       Avoid long fancy words and adverbs; simple, everyday language is                    better.
             ·       Look at paragraphs over 8 lines and see if they will be better if                    broken up.
             ·       Keep descriptions brief. Work them into the story if possible.
             ·       Keep the story on track and don’t stray down unrelated side paths.
             ·       Insert humor at appropriate places. Subtle humor, not roll in the                    aisle stuff.
             ·       Create metaphors, but use them only if they enhance your writing.
             ·       Strive to write as good as Faulkner , don’t strive until doomsday.

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